Do Benchmarks Still Work?

Randy Lane • February 22, 2021

“Features and benchmarks are old-school radio. Why can’t we be more like unscripted podcasts and just shoot-the-s*#t?”

Go down that road at your own peril. The best podcasts  do have  features and benchmarks that help distinguish them from an ever-expanding number of choices.

Audio specialist, Steve Goldstein,  Amplifi Media  CEO says, “Every podcast needs something distinctive and memorable.  Many have benchmarks and way more have clear  formatics. There is also a good deal of fatigue, abandonment, and of course, self-indulgent chit-chat.”

New shows are especially high risk

It will take forever to create awareness and attract a mass audience without a breakthrough benchmark.

New shows become established quicker when they set up audience expectations with a differentiating feature. Features that become  benchmarks  (content that your show becomes known for) have three key benefits:

  1. They create an image that brands your show.
  2. They generate appointment listening that boosts TSL.
  3. They provide sponsorship opportunities for revenue.

Benchmarks create an image. WMMR Philadelphia’s Preston and Steve’s  Crackshot  signals that it’s an edgy show. James Corden’s  Carpool Karaoke  brands his show as silly and fun, but  that benchmark  is what put him on the map. A compelling benchmark can even save a complacent, mature show from the graveyard. These shows remain competitive by airing high tune-in benchmarks frequently.

Caution:You can’t thrive long-term on benchmarks alone.  Winning shows build innovative, creative content and memorable, HD characters  around  features and benchmarks.

Photo by Will Paterson on Unsplash

Share this article

Recent Posts

By Randy Lane • September 29, 2026
When I start coaching a show, talents often say:“Nobody calls anymore.” Or: “Listeners in this market don’t call radio shows.” My response is, “That’s interesting, because several of our shows get more calls than they need.” The difference isn’t necessarily the market. It’s often how the show invites people into the conversation.  Airing callers and text […]
By Randy Lane • September 21, 2026
Jerry Seinfeld wrote every episode of Seinfeld longhand, on a yellow legal pad, with a blue Bic pen. He still writes that way. He’s said the flashing cursor on a screen makes him anxious, like it’s asking, “So, whaddaya got?” Why Start With Pen and Paper?Writing by hand slows you down just enough for ideas to […]
By Randy Lane • September 15, 2026
In the era of loud, fast-talking announcer DJs, my radio mentor, Todd Wallace, asked my fellow DJs and me, “Would you talk to your neighbor over the back fence like a pukey DJ or just in natural conversation?” Of course we all said we’d talk to them conversationally. Todd concluded, “Talk to listeners on air like […]
Show More